Folklore
The Quaker Prophetess
1677. THE Old South Church in Boston — not the present build- ing, but the one first erected upon the same spot — was the scene of an event without a parallel in the annals of our Puritan churches, in some of which, nevertheless, remarkable scenes had occurred. To the simple…
Work
- Type
- folk narrative
- Creator
- Samuel Adams Drake
- Created, as stated
- 1884
The tale
1677. THE Old South Church in Boston — not the present build- ing, but the one first erected upon the same spot — was the scene of an event without a parallel in the annals of our Puritan churches, in some of which, nevertheless, remarkable scenes had occurred. To the simple and austere Quaker manners, outdoing even Puritan ideas of moral and physical self-restraint, now and then comes the unexpected contrast of theatrical climax in its most bizarre forms. So the early history of the Friends in New England shows the dominant principle of passive opposition to persecution occasionally giving way, all at once, to an aggressive spirit that impelled the actors on through thorny ways toward the goal for which they strove 'and struggled. If, now and then, one half crazed by sufiering was betrayed into some act of folly, it is surely not a matter for astonishment or exultation. Their annals present the names of no informers and no apostates. Obeying the command of a hallucination to which she bowed as if it were a divine behest, the Quakeress Deborah Wilson had walked naked through the streets of Salem " as a sign of spiritual nakedness in town and country," and for so doing she was…
- Narrative type
- ghost story
- The printing this telling comes from
- Samuel Adams Drake, A Book of New England Legends and Folk Lore in Prose and Poetry (Boston: Roberts Brothers, 1884) (1884)
- First attestation in print
- Not held. The archive holds the printing above and no evidence of an earlier one, and it does not treat a collection's date as a first printing.
Tellings
A tale told several ways is one record and several tellings. Each is given whole, with its teller named — or recorded as unattributed where the collector left them unnamed, which is itself a fact about the collection.
As printed in Samuel Adams Drake (1884)
Told by unattributed — the collector names no informant · collected by Samuel Adams Drake · 1884
1677. THE Old South Church in Boston — not the present build- ing, but the one first erected upon the same spot — was the scene of an event without a parallel in the annals of our Puritan churches, in some of which, nevertheless, remarkable scenes had occurred. To the simple and austere Quaker manners, outdoing even Puritan ideas of moral and physical self-restraint, now and then comes the unexpected contrast of theatrical climax in its most bizarre forms. So the early history of the Friends in New England shows the dominant principle of passive opposition to persecution occasionally giving way, all at once, to an aggressive spirit that impelled the actors on through thorny ways toward the goal for which they strove 'and struggled. If, now and then, one half crazed by sufiering was betrayed into some act of folly, it is surely not a matter for astonishment or exultation. Their annals present the names of no informers and no apostates. Obeying the command of a hallucination to which she bowed as if it were a divine behest, the Quakeress Deborah Wilson had walked naked through the streets of Salem " as a sign of spiritual nakedness in town and country," and for so doing she was most uncharitably whipped with thirty stripes. Again, Lydia Wardwell, who is called " a young and tender chaste person," for startling the congregation of JSTewbury by walking into the meeting-house there, unclothed, in the time of public worship, was tied up to the fence-post of the tavern where the court sat, at Ipswich, to undergo a similar punishment. But the case of Margaret Brewster differs from these others in that a number of persons took part in carrying out what it was expected would strike terror to the hearts of the beholders, and to this end it was conducted with studied attention to dramatic effect. One quiet Sabbath morning in July, 1677, accompanied by several of the most noted persons of her sect, both male and female, Margaret Brewster presented herself at the door of the Old South Meeting-house in sermon-time, the strangest visitor that had ever crossed its consecrated threshold. She first took off her riding-habit and her shoes and stockings, and then entered. In his Diary, which perhaps may become as famous as that of the immortal Pepys, Judge Sewall notes that while the congregation was listening to the words of the sermon from the aged pastor's lips, there suddenly was seen the apparition of a woman walking slowly up the broad aisle between two men, while two others walked behind. The woman was bare- footed, her head was sprinkled with ashes, her loosened hair straggled wildly down about her neck and shoulders, her face was besmeared with soot, and she wore a sackcloth gown loosely gathered around her person. This appearance, says the indig- nant diarist, "occasioned the greatest and most amazing uproar that ever I saw." No one has told us, but we can imagine the congregation rising in consternation to their feet, the sudden stop in the sermon, the moment of silence, like the calm before the storm, during which the dark prophetess delivered her solemn warning of a grievous calamity shortly to signify to them the displeasure of God. Then the excited voices of the men, all talking and gesticulating at once, the women shrieking in terror or dropping in a dead faint, the surging to and fro of a multitude, all occa- sioning " the greatest and most amazing uproar " that was ever NEW-ENGLAND LEGENDS. heard inside these sacred walls, witnessed to the little central group that they had indeed created a profound sensation. The oifenders were all quickly taken into custody and hurried off to prison. When Margaret was arraigned before the court, the constable declared himself wholly unable to identify her as the _,^g^J^ ^i^^-^;^
Samuel Adams Drake, A Book of New England Legends and Folk Lore in Prose and Poetry (Boston: Roberts Brothers, 1884)
Questions this record answers
Each answer is composed only from fields this record carries, and names the attestation for what it says. A question the record cannot answer from its own attested content is not asked here. Where a boundary is described as official it was promulgated by an authority with the power to draw it and is not amended by anything on the vernacular layer; where it is described as vernacular it is held by attestation alone and amends no official boundary.
In which printing does the archive hold The Quaker Prophetess?
Samuel Adams Drake, A Book of New England Legends and Folk Lore in Prose and Poetry (Boston: Roberts Brothers, 1884) The printing is dated 1884. This is the printing this archive's own telling was lifted from, and the archive can hand over the volume. It is not a claim that the tale was first printed there.
Attested by: Samuel Adams Drake, A Book of New England Legends and Folk Lore in Prose and Poetry (Boston: Roberts Brothers, 1884)
How many tellings of The Quaker Prophetess does the archive hold?
One telling: As printed in Samuel Adams Drake (1884) (unattributed — the collector names no informant). A tale told several ways is one record and several tellings, each given whole with its teller named — or recorded as unattributed where the collector left them unnamed, which is itself a fact about the collection.
Attested by: Samuel Adams Drake, A Book of New England Legends and Folk Lore in Prose and Poetry (Boston: Roberts Brothers, 1884)
Who collected The Quaker Prophetess?
Samuel Adams Drake. The archive records the collector separately from the teller, because who wrote a tale down and who told it are different facts and collapsing them destroys both.
Attested by: Samuel Adams Drake, A Book of New England Legends and Folk Lore in Prose and Poetry (Boston: Roberts Brothers, 1884)
What does the archive hold for The Quaker Prophetess, and under what license?
The Boston Archive holds this record of The Quaker Prophetess from Drake, A Book of New England Legends and Folk Lore (1884), retrieved 2 September 2026, under Public domain — published before 1929 (public domain). 7 recorded transforms stand between the retrieved bytes and this record. Attribution is due to Samuel Adams Drake.
Attested by: Drake, A Book of New England Legends and Folk Lore (1884), retrieved 2 September 2026, under Public domain — published before 1929.
Related records
Identity
- Identifier
- urn:lemay:boston:entity:the-quaker-prophetess
- Canonical URL
- https://boston.fyi/work/the-quaker-prophetess
- As JSON
- https://boston.fyi/work/the-quaker-prophetess.json
- Version
- 2 · last changed 3 September 2026
Provenance
- Source
- Drake, A Book of New England Legends and Folk Lore (1884) — source of record
- License
- Public domain — published before 1929 (public_domain)
- Retrieved
- 2 September 2026
- Source identifier
- THE QUAKER PROPHETESS
- Attribution
- Samuel Adams Drake
- Rights as stated
- Published 1884 and in the public domain in the United States.
Transform ladder
| # | Operation | Description | Tool |
|---|---|---|---|
| 1 | fetch | retrieved the full text of the collection from its public-domain holding institution | archive-ingest 0.1.0 |
| 2 | segment | split the volume into chapters at its own printed headings; the first occurrence of a heading opens the chapter and later occurrences are the running header, which is discarded | archive-ingest 0.1.0 |
| 3 | corroborate | matched each heading against the book's own table of contents and took the index's spelling as the title; a heading the index does not carry was refused as a caption, a byline, or scanner noise | archive-ingest 0.1.0 |
| 4 | filter | retained the chapters that name a Boston-area place, by the tale's own words | archive-ingest 0.1.0 |
| 5 | normalize | collapsed the scan's line breaks; not one word of the telling was altered, added, or removed | archive-ingest 0.1.0 |
| 6 | withdraw-unattested-setting | The setting recorded on this tale — "Boston and eastern Massachusetts" — is the same string carried by every folklore record in this archive. It is the scope of the collections these tales were drawn from, applied at accession, and not a setting read out of this tale by anyone. It was being served as the source's own wording, which it is not, and on a dozen records the tale printed beside it refuted it. The field is cleared rather than reworded: the archive does not hold a per-tale setting and will not imply one. | archive-ingest 0.1.0 |
| 7 | withdraw-unattested-collection-place | The collection place recorded on every telling of this tale — "Boston and eastern Massachusetts" — is the same string carried by every telling in this archive. These tales were compiled from print, not collected from informants in a place, and the field asserted a collection event that did not happen. It is cleared: the teller field already records, correctly, that the collector named no informant, and an absence stated is worth more than a constant that hides it. | archive-ingest 0.1.0 |